Thank you for
reading Where The Birds Go When
It Rains. In this section, as
promised in the introduction of
my novel, I have created a
summary of the life events that
gave life to this tale. I've
done this because of the
wonderful time I had as a child
walking in the footsteps of
James Whitcomb Riley -- visiting
his childhood home along U.S. 40
in Greenfield, Indiana,
imagining Little Orphant
Annie... who "come" to his house
to stay, walking into the rooms
and up the steps where "Gobble-uns"
roamed... ("two great big black
things a standin' by her side")
as they snatched the taunting
girl, of Annie's tales, right
out of her very house... and
seeing the rolled down "kivvers"
where they had searched for the
troublesome boy of the house...
"But all they ever found was
thist his pants an'
roundabout... and when they
turn't the kivvers down, he
wasn't there at all!" Alex Tells
a Bear Story is a classic that
mentions my favorite "sick-more"
trees. Riley shares my heritage
as a Hoosier. I am forever
grateful of his influence on my
life.
When I have grandchildren, I
hope to pick up where his
imagination left off, as I turn
Goose Heaven Road into a
fantasyland for children and
adults: trolls will invade the
Whitewater Valley, a wicked imp
will take over the souls of the
deceased, more time travelers,
more spirits... a lot of wild
imagination yet to come.
But before I get to that writing
realm, I want to wrap up the
most important message my life
will ever have to share with the
generations to come --
generations with whom I may
never converse, but with whom I
will share the most incredible
of possibilities.
As I mentioned in the beginning
of my book, I intend to put the
faith you believe you possess,
or denial of faith, to a test
with the archaeological evidence
I presented to you in the tale.
It is in this writing that I,
the ex-nonbeliever, explain why
writing the novel changed my
life. While putting the
finishing touches to the story,
my daughter, Anna, got me asking
myself a few questions: What
does anyone need to have enough
proof of Christ's existence? How
much do I need?
The scientific evidence:
I presented the following as
facts in a condensed format in
the introduction of Birds. I've
included an expanded version
here. Now that you've read the
story and you're familiar with
the theory, I believe the data
will have greater meaning to
you.
I've waited thirty-four years to
share my theory about the design
of the sacred circle mounds.
Before I present the evidence, I
want to clarify one point: I do
not believe the peoples of the
Adena and Hopewell cultures had
any idea of Jesus or the
significance of whatever it was
that marked the sky and horizon
upon his birth -- our Star of
Bethlehem. Imagine for me a
moment that you step outside of
your home and see such an object
in tonight's sky. Would you
wonder as to what it may mean?
Would it frighten you? Would you
discuss the sighting with
anyone? How would your reaction
differ if you lived over two
thousand years ago and witnessed
the same object?
I believe the same degrees of
curiosity, fear, wonder, and
social expression that you would
feel could have compelled the
ancients to build the
magnificent sacred circles. If
only they could have known the
incredible event underway in
their lifetimes...
The journeys of writing this
story and researching the mounds
have changed my life; this is
what I know of the facts
relative to the construction and
message of the sacred circles…
facts that have changed my
belief of Jesus:
-- Scientists are uncertain as
to the date and year Jesus was
born, but most agree the first
Christmas occurred sometime
between 12 B.C. and 2 B.C. Birth
months and days range across
every month and day of the
calendar, or so it seems, from
what I've read. I found two
dates to be most notable -- May
14th and October 25th. The
spread is interesting at the
very least.
The theoretical dates are based
on many occurrences. One is
relative to the time frame of
the 12 B.C. to 11 B.C. census
that compelled Mary and Joseph
to make their journey. This date
reportedly matches the
chronology of the Apostle Paul.
Dates of 3 B.C. or 2 B.C. are
given due to a proposed 1 B.C.
death of Herod. Yet another
group of scholars suggests a
date of no earlier than 4 B.C.,
because of another proposed date
of Herod's death in the same
year. One other date of October
25, 6 B.C., is proposed due to a
presentation of an infant named
Jesus at the Jerusalem Temple.
So, we really don't know the
year or day Jesus was born, but
it was before 1 A.D. ... or so
we think.
-- The sacred circles have
produced radiocarbon dates
(ranges of possible construction
and use… ranges that vary within
plus or minus 150 years) from
265 B.C. to 146 A.D. I am in no
way an expert on the science of
radiocarbon dating, but I'll
give you my layman's attempt at
it:
Radioactive carbon is formed in
the atmosphere when radiation
from space bombards nitrogen
atoms. Carbon dioxide is
absorbed by plants. When the
plants die, they stop taking in
radioactive carbon. Half of the
absorbed radioactive carbon
decays and returns to its
original form after
approximately 5,730 years. By
measuring the ratio of the two
carbon forms, natural and
radioactive, in plant fibers,
statistical calculations may be
made. Typically, charcoal
samples from prehistoric fires
are used for testing. The dating
method provides scientists with
ranges of possible timeframes.
The approximate dates are
accompanied by plus-or-minus
ranges in years -- (i.e. +/- 150
years).
Based on carbon samples from the
sacred circles in Indiana, we're
talking a possible construction
period that includes, and may be
exactly, the estimated dates of
Christ's birth of somewhere
between 12 B.C. to 2 B.C. The
latest radiocarbon dates, issued
in July of 2000 by Ball State
University, for the circles
north of Cambridge City range
from 50 B.C. to A.D. 115. Now,
how incredible is that?
-- If you believe that some
astronomical occurrence marked
the way to Bethlehem at Christ’s
birth, what would you suppose it
appeared as in the sky?
Drawings,
especially those on Christmas
cards, and lawn decorations
often contain a shiny central
object (our star, if not a star
then some God-made celestial
object to light the way), a halo
of light around the star, and a
beam of light cast from the star
through the bottom of the halo
onto the horizon. (Maybe you
will want to take another look
at the sacred circle design on
the back of this book, or better
yet, I have included additional
drawings at the end of the
“Ingredients” section.)
If you believe, as obviously
many artists do, that this could
have been how that star
appeared, the sacred circles in
east central Indiana are
sculpted exactly as I've
described them here. They are of
the same exact design!
-- How could the Adena have
witnessed this astronomical
event?
The village of our Majenica is
certainly not located on the
highest hill in Indiana
(although it really isn't all
that far from the highest
elevation), but from its summit,
it appears to the observer that
he is looking down on all
horizons, particularly that to
the east. It's an incredible
vantage point... What if? I
invite you to come and watch the
sun or moon rise at the park...
once we get it established.
In the valley located at the
northwest base of the hill, no
less than seven of the circles
were built. Plowing and
subsequent erosion may have
destroyed additional mounds, but
seven were recorded during the
early geological surveys of
Wayne County.
-- Since we do not have written
records from the time of the
ancients, archaeologists
classify periods of habitation
according to religious
practices, tools used, mound
building ... just as we identify
the differences between cultures
of the present day world.
Although it’s a simplistic
explanation of the cultures, I
need to give you a brief review
of the cultural differences of
the early North Americans to
explain my next point.
The Paleo culture existed in
Indiana from around 12,000 B.C.
to 8,000 B.C. The Indians hunted
mammoth, mastodon, bison, deer,
and elk, to name a few large
animal groups. The Paleo
traveled in small bands, living
off the land, so they didn't
stay in one place for very long.
The Archaic culture occurred
between 8,000 B.C. and 1,000
B.C. Nearly eighty-five percent
of the sites in Wayne County are
of Archaic origin. Ax heads and
pestles were used during this
period, marking a more
centralized settlement
arrangement instead of the
wandering bands of hunters from
the Paleo period. Heavy
concentrations of spear heads
and knives mark these sites.
Agriculture may have been
practiced during the late
Archaic period.
The Adena era, of 1000 B.C. to
500 A.D., was overlapped by the
Hopewell culture. Agriculture
provided the opportunity for
permanent settlements, which, in
turn, supplied the Adena with
the time to develop and maturate
larger social structures.
Conical burial mounds were
constructed for the first time,
indicating a new level of
spiritualism.
And then, around 1 A.D. (a date
not chosen by me, but printed in
many articles related to the
subject) religious practices and
cultural enrichment flourished.
The development was so explosive
that the transition took on a
new cultural affiliation -- that
of the Hopewell. Sacred circles
and other geometric forms took
shape through mound building.
Although cremation was practiced
by earlier cultures throughout
the New World, crematoriums
first appeared in the Whitewater
River Valley during this period,
according to what I have found
through my studies -- i.e. the
cremations discovered in the
large circle in 1968.
Two possibilities reign relative
to this transition. One suggests
the Adena evolved into the
Hopewell society. But what
caused that transition at that
time? The other claims the Adena
were influenced, almost
absorbed, by the higher cultural
development possibly out of the
Ohio region. Either way,
significant change occurred in
the Whitewater River Valley, of
present day Cambridge City,
about the time of the birth of
Christ.
Could the impetus of that
dramatic change have been the
sighting of some incredible
astronomical event? Could
serving witness to an object in
the sky with a halo of light...
a river of light flowing toward
the earth, make the ancients
stop and take notice? Could such
a sighting inspire them to
duplicate the object’s design
through the construction of
earthen mounds larger than
football fields -- mounds larger
and of such a dramatic shape
change as never before
constructed? Could the
occurrence have brought about
heightened religious practices?
After the Hopewell, additional
cultures followed (the Fort
Ancient and historical tribes),
but they are not of consequence
for this story.
For these reasons, I no longer
wonder about the connection. The
evidence overwhelms my normal
show-me-proof need. What more
could there possibly be? What
more should I hold out for in my
search of proof?
And as I've stated elsewhere in
this book, please do not
discount the possibility until
after you have traveled to
Indiana and walked along the
causeway and out onto the
central mound, go back to the
mouth of the causeway and turn
to face the central mound,
follow the outer ring... notice
the deep interior trench; feel
the moment... then, and only
then, make your decision.
Consider, please, the incredible
evidence with the magnitude of
hand digging a mound of such
colossal size. What could have
been the cause?
To have faith, absolute faith, I
had to surrender my ego -- the
demand that I could not be
fooled. Many of you don't need
such proof; maybe confirmation
will serve you well.
When in doubt, I urge you to go
and witness the circles.
About the chapter elements of
Where The Birds Go When It
Rains:
In this section I proudly share
the background of the novel. The
places are real and sacred
ground to my soul; the
characters are based on people
who have touched my life; the
events are of my childhood
experiences and of my
adult-childlike imagination...
reflections of the soul produced
by the magic of Goose Heaven
Road.
Some topics may not be addressed
in this section in the order as
they appear in the book. You may
have to wait until a little
later, in one of the other
chapter reviews, to find more
information about a specific
topic. I have arranged my
explanations so that I don't
give away part of the story
until the "right time," in case
you read "Ingredients" as you
progress through the book,
instead of reading it upon
completion.
And if you don't find an
explanation in this section of
something that you're wondering
about, write to me. But chances
are, if I haven't addressed it
here as an integral facet, the
origin of the item or topic is
likely to be of my soul's
imagination.
Welcome to life, as I know of
it, along Goose Heaven Road.
Chapter 1 -- A Time To Take
Notice
Ellen -- In honor of Ellen
Stepleton, the female half of
the twosome from Earlham College
who introduced me to archaeology
at ten years of age.
When I began my archaeological
journey in 1968, grave
excavations did not draw the ire
and receive the criticism of
being disrespectful. I, and the
archaeologists with whom I
worked, felt a connection with
the souls we introduced to the
twentieth century, as if they
seemed to have stories they
wanted to tell us. From the
positions in which we found
them, to the artifacts that
accompanied the dead on their
burial dates, it's as if their
souls were there, delighted with
their discoveries. And if their
souls felt my anticipation, the
thrill of sharing our "lives"
with one another, physical lives
separated by hundreds to
thousands of years, I believe
they would have been excited
about being discovered --
brought to earthly life again.
Someday, I want my grave site
and burial to be something of an
archaeologist's dream. I want to
surprise and enchant people from
and at the grave. I certainly
don't want my bones buried
forever. While my soul will be
out milling through the cosmos
at light speed, the old bones
will have some connection to
what once was; I want them to
see the light of day... to share
in and give to another's life of
another time. Talk to the bones.
Patrick -- My only son... a man
who will make his mark in fine
fashion someday... but probably
not as an archaeologist.
Brian -- Brian Munchel, my
nephew. Brian, as a young man,
used to walk the fields with me
looking for Indian artifacts. I
enjoyed his company and
enthusiasm. Still do.
Carey Paul Oldenkamp -
Carey -- In the first version, I
made issue of the name Carey as
"being a girl's name," because I
was given a "girl's" name and
wanted to tie the situation to
some character building issue
for our protagonist. I dropped
that angle, but remained with
the first name selection. As a
grown man, I am proud of my
first name... but it was a
difficult one to accept prior to
the age of thirteen. Mom tells
me she selected the name when
she heard it as the name of a
Scottish king. Good save, Mom.
Paul -- I chose Paul in honor of
my father, Paul William Wesseler.
My dad is the strongest and
softest man I know. His passion
for the past and respect of
others come in a six feet three
inches mountain of a man. I find
comfort to this day in knowing
that if I
do not have the strength or
knowledge to handle a situation,
Dad, Paul William Wesseler,
possesses both. He is the anchor
that holds our family tight
against the force of the wind.
Oldenkamp -- Only fifty
Wesselers were found on a
national sweep of directory
listings when I began writing
the story. I was looking for
uniqueness.
Chapter 2 -- The Muse
At the conclusion of the 1968
dig, we had a huge bonfire at
the river on the Bertsch farm. I
was so excited to be surrounded
by my dig friends and
dignitaries from Earlham College
– Lucky Ward and James Cope.
Wow!!!
Chapter 3 -- Stalag Thirteen
I dreaded nursing homes as a
child. While the caregivers
possessed more compassion and
courage than I will ever know,
the inevitable outcomes for the
occupants overwhelmed my senses.
I am grateful of the souls who
provide assistance to the
elderly and to those in need.
They are the most sacred of
humans -- those of you who
dedicate your lives to the
well¬being of others. Thank you.
Susan Kay Oldenkamp -- Susan Kay
Singer became my wife on April
28, 1979. She is everything and
more than what I've written of
her in this tale. "I need you
like the flower needs the
rain..," -- I love that song; it
has to be in the movie version
of this story...if there ever is
one. I have four of Susan's 4-H
queen contest pictures -- one in
a collage over my writer's area,
one on the night stand next to
our bed, the other two were on
my writer's desk as inspiration
as I wrote this book of her.
More to be "said" about Susan
Oldenkamp (Singer-Wesseler)
later...
Patrick speaks openly to his
deceased grandmother. I speak
often to those who have gone
before me, but I'm not the kind
to have heard them talk back...
although I am certain they watch
after me and provide me with a
sixth sense that has saved my
life.
Roses -- If memory serves me
right, my grandpa Stewart bought
Grandma a dozen roses on her
every birthday.
I have owned a hand-carved box
for as long as I can remember...
which is less long with each
passing day. It serves as the
model for Susan Oldenkamp's
walnut keepsake box.
Megan Marie -- She is of my
sisters Terri Lynn and Lisa
Marie: a shared love of family,
childhoods, laughs, and tears.
They are my connections with
what was and the warm comforts
of what is to be.
Nihilistic -- I stumbled on this
word while looking up "night
light" and found it so
appropriate for describing my
old attitude of religion.
Lincoln High School is in
Cambridge City, Indiana. Susan
(1977) and I (1976) graduated
from there -- high school
sweethearts they say.
And as for the state basketball
title and mortals becoming gods
-- only in Indiana! If you've
watched the film "Hoosiers," you
know the truth in my words.
Chapter 4 -- The Diary
Dance Macabre -- I remember Mrs.
Harmeyer introducing our
elementary school music class to
the music and tale of this
awesome work. I found it
fascinating, and I'll always
have its presence as a
remembrance of Mrs. Harmeyer and
her daughter, Ann, who was
tragically murdered while
driving to Indiana University in
the mid 70's. Ann was one of the
most kind upperclassmen I had
the pleasure of knowing.
I "hate" to dance... unless it's
to slow music and up close to
Susan... or dancing wildly with
my daughters at Daddy Date Night
for scouts. To have Jacquelyn
and Anna dancing with me and
their friends joining us for
crazy dancing... well, I'll
remember it always.
Chapter 5 -- Of Ghosts and
Legends
The Addie and Bill story is as
written. They are my
grandparents. Grandpa swore the
light was Grandma's spirit. Mom
remembers hearing him describe
the blue ball.
Grandpa knew he would be dead by
morning according to my dad.
Grandpa Wesseler said Grandma
would be back and that the light
was her spirit. He saw the light
many times. I wonder if they
"spoke"? How did he know it was
his time to die if they had not?
The sitting up in bed and the
bats... the bats were there...
She came for him. It's all true.
Doris Wesseler-Miller is the
youngest of my dad's two
sisters. Mary Jo Wesseler-Franklin
is the other. Both are awesome
ladies. Doris married Verus
Miller, and Mary Jo married Bill
Franklin -- two wonderful men.
Rheumatoid arthritis had my six
feet plus grandfather bent over
looking me eye-to-eye when I was
of elementary school age. I've
been told he was a great
storyteller. I don't remember a
lot about him, but he reminded
me of Abraham Lincoln -- the
thick eyebrows, teasing, a
symbol of good... a grandpa.
Chapter 6 -- The Tale of a
Storyteller
Carey's show-me-proof logic of
God and Jesus was my issue,
also. Writing this book made me
realize something: What more do
I need to help me believe?
Were you allowed to say "Hell"
as a child. We weren't... "aahhmm."
When I first dated Susan, I
couldn't eat, my stomach felt
uneasy and heavy, and I truly
became weak-kneed in her
presence. She was (still is) a
goddess.
I loved to laugh uncontrollably
with my sisters. Those were
memorable moments.
The following was deleted from
my edited version of Birds, but
I've included a reference here
in honor of Frank Volk and my
father: The Bear Story -- How
the bear lost his tale… I had
assumed the story was one of
those tales passed down through
the ages from father to son, but
on Father’s Day 2003, a trip to
my dad’s hometown gave me yet
another reason to appreciate the
man I’ve been blessed to have as
my father:
Across from the limestone
Catholic Church in Enochsburg,
Indiana, is a tombstone that
marks the grave of Frank A. Volk
-- born October 31, 1875 and
died July 11, 1956 -- the
husband of Rosa A. Volk. When my
father was a boy he was at
Frank’s one evening holding an
oil lantern as Frank culled
chickens -- the process of
sorting male and female chicks.
The chicks are held to a light
and checked for the “tell-tail”
(no pun intended) signs of
sexual orientation: Hens lay
eggs; roosters aren’t of much
use except for eating, and hens
are finer for that as well. So,
keeping and feeding the hens --
sources of eggs and meat -- is
most economical for the farmer.
Young Paul Wesseler was getting
tired and letting his duty as
lamp holder slip a bit, as
sleepiness took its toll. Frank
promised that if Dad could stay
awake until they finished
culling the chicks, he would
tell Dad the story of how the
bear lost his tail. Well, Dad
could not pass up the chance of
hearing the story -- to this
day, if he isn’t telling a tale,
he’s listening to one somewhere.
Dad told me of Frank A. Volk as
we stood at his tombstone. I
took note of Frank’s Halloween
birthday and smiled… actually
had goose bumps with the story
connection in my book -- that of
the bear story being written in
as a tale told to Megan on
Halloween night. Again, the
story was edited out of the
novel. And while Frank’s
physical body will never know of
the passing of the story to you
and future generations, a piece
of his soul will live on in each
of you. Thank you, Mr. Frank
Volk.
To this day, Dad owns the oil
lamp whose light gave life to
this tale.
While my grandfather never
blamed the Ohio River for
anything, I know a future
grandpa who will...
Chapter 7 -- A Time to Die
Ecclesiastes 3:13 caught my eye
on a testimonial I received in
my office from a funeral of a
coworker's relative -- the
funeral of a young boy. I didn't
know the young man before that
moment, but I had to ask myself
why and how: His death could not
possibly have
purpose. His passage from this
world to the next boiled down to
these words. I tried to capture
the essence of his senseless yet
fateful passing in this chapter.
I hate spiders... and I really
don't like fog. Bats and snakes
are okay.
Riverside Cemetery, Cambridge
Road, wrought iron gates, the
gravel pit -- they're all there
northeast of Cambridge City.
Gerald never existed, but he is
representative of souls less
fortunate than mine. You’ll find
out more about him later.
Chapter 8 -- The Summer's Dig
Earlham College is in Richmond,
Indiana. The story of acquiring
the right to dig on Luther's
farm is true. So, too, is the
story of "Red"... as Dad
sometimes calls Mom to this day.
Mom was cleaning our above
ground pool when the Volkswagon
from Earlham pulled into our
driveway. As I've mentioned many
times, I believe in fate. In
this case, I believe my life has
had intervention for many
reasons. I cannot ignore the
ownership I have for bringing to
you the possible message of the
sacred circles.
Jay Heilman is my archaeological
mentor. He taught me the
fundamentals of artifact
identification and the sacred
handling technique for relics --
fingers on the edges. I owe him
all that this hobby and
fascination have afforded me.
On our first day at the dig, we
stuck silver Fourth of July
sparklers in the mound where we
thought the true treasures would
be found. The center mound
looked like a huge earthen
birthday cake with three
sparkling candles. Being only
ten years-old and not used to
being with strangers, I quickly
attached myself to Ellen as my
security blanket. I placed my
sparkler next to hers. And I did
have visions of gold and silver
altars.
I asked Don Cochran, Director of
Archaeological Resources
Management Services at Ball
State University in Muncie,
Indiana, to verify my statements
relative to the cultural changes
and differences of the Adena and
Hopewell cultures. I have not
made up any of the dig details
and discoveries. We found all of
it -- charcoal, cremations,
snail shells. As Carey's mother
suggested that he go artifact
hunting on Megan's birthday, my
mother suggested that I handle
my boredom the same way, and on
such a suggestion, I went on to
find a major cornerstone of this
book... you'll find out later.
Chapter 9 -- Hog Tag
Hog tag -- I remember working
the dig and hearing the clangs
of the feeder lids. And as I've
described here, hogs would
sometimes break from the
gathering as billiard balls. A
few hogs chased others; some
took advantage of the vacated
eating spots... fun in the sun.
I still scan the edge of the
gravel pit for that one
forgotten soul. The stories of
the earlier finds have
fascinated me since I first
heard of them at the age of ten.
The glacial floodplain --
Northern Indiana was under the
grip of a "mile-high" sheet of
ice until around 12,000 B.C. As
the ice melted, the rivers
swelled creating wide flood
plains. Many of the lakes in
northern Indiana were created by
large chunks of ice that melted
in those locations. The weight
of the ice pushed the massive
blocks into the soft soils. Jay
called the ice bowl depressions
glacial pots. They appear as if
someone pushed huge cereal bowls
into the ground. The first
glacial pot he pointed out to me
is located north and on the same
property as the Golay Center, in
Cambridge City, at the
intersection of State Road 1 and
U.S. 40. Four depressions exist
in a one mile stretch on and
just off of these arteries
leading to Cambridge -- one
north of the center, one behind
the gas station at the same
intersection on the southeast
corner, one three quarters of a
mile north of the intersection
where Road 1 turns northeast,
and another located one hundred
yards west of this last glacial
pot and a quarter mile south of
Goose Heaven Road... four of
these depressions in such a
short distance.
Often I speak to the deceased on
my artifact hunting trips. I
feel so connected to the
universal power of all things
when I'm alone in His/Her world
of the fields, woods, and
river... along Goose Heaven
Road.
Goose Heaven Road is the center
of my universe. If any one
place, any one name could
describe my heart and soul, it's
the mention of Goose Heaven
Road. Unique in its fairy
tale-like name, so too was my
childhood. A goose heaven... now
where on Earth did that idea or
name come from?
Two stories reign as
possibilities:
At one time, a church stood at
the southwest intersection of
Goose Heaven and Symonds Creek
roads. The intersection is two
miles west of our fateful
intersection in the story. Both
of our possibilities are of this
church.
Some say a woman raised orphaned
geese and that, when she was
attending church one Sunday
morning, her feather-clad babies
walked through the open rear
door searching for their mama.
If you've ever raised anything
fowl or "animal-mammal” from
birth, this attachment, that
between mother and "offspring,"
is absolute -- it transcends the
scientific definition of
classification and the family
unit.
The rowdy version involves a
prank performed by the
neighborhood boys. As one of the
Sunday sessions was in full
swing, the boys tossed geese,
ducks, chickens, and turkeys
through the open windows and
ran.
Somehow, I believe both stories
to have some truth to them.
I consider it my great fortune
to be a son of Goose Heaven Road
-- another one of those life
events that came about through
divine intervention.
The cement bridge was a favorite
landmark of mine. Russel Sumwalt,
my great uncle, helped build it
in 1917, if I remember his story
correctly. Russ is a legend of a
man. I really got to know him
over one night when he and I
helped my grandpa Stewart
install a boiler for an
apartment complex in New Castle,
Indiana -- tear out and install
a boiler in one night! I was in
high school, yet seventy
something year-old Russ kept up
with me. Actually, I had a hard
time keeping up with him. I wish
I had the love of life and
appreciation of death then as I
have now. But I still
appreciated, respected, and
admired Russ and Grandpa in my
youth; it's just that my
appreciation of life and my soul
seem more mature now. The bridge
was destroyed and replaced in
2006. Jacquelyn, my daughter,
accompanied me to the site for
many pictures of the old sacred
bridge. A part of my childhood
and soul died with its
destruction.
I was fascinated by the snail
shells -- two thousand year-old
snail shells -- discovered in
“trash pits” that had been dug
inside the crematorium in the
middle of the sacred circle.
Walking into the valley from the
bluff is like walking onto
Heaven's golf course -- prepared
for a special purpose… where
souls go to heal and to be with
God.
I love washing the field mud
from my new finds in the nearest
river or stream.
To this day, thirty-four years
later, the "same" heron owns
that stretch and bend of the
river. It looks like the same
bird, anyway.
I'm alive today not because of
my genius, but because of Mom's
basic rules of survival: Don't
run into an open field during a
storm -- lightning will hit you;
don't stand under a tree --
lightning will hit the tree and
kill you. (But I did run through
an open field once... the
shortest distance between two
points syndrome. She saw me; I
heard about it.) When she wasn't
watching over me, my guardian
angels were present.
The cave tree was a place of
intrigue for me as a kid. The
trunk was the largest I had ever
seen, besides the pictures of
the redwoods. Its branches were
as big as some tree trunks. The
mighty sycamore drew its water
from the river on its immediate
west; the massive roots plunged
across and into the ground like
octopus tentacles into the
depths of the ocean; the
branches glistened in the
sunlight as the leaves absorbed
the rays. If any one tree could
have existed to see the
construction of the sacred
circles, it was the cave tree.
When I was a kid, I liked
telling people that I could get
inside of a tree, but it wasn't
exactly the most comforting
place to visit. Cobwebs covered
the upper cavern and entrance;
raccoon droppings were scattered
on the dirt and stone floor. The
tree was a mystical anomaly -- a
being created by the gods of the
woods for a special purpose.
Chapter 10 -- The Reunion
Before I could begin this book,
I had to come to terms with the
concept of God's existence.
While I wanted to believe in
Him, the show-me-proof logic of
archaeology kept me at a great
distance from truly believing. I
heard of near death experiences
and, for awhile, consumed as
many written and verbal
true-to-life tales of this
incredible phenomenon that I
could find. I plan to pursue
studies of NDE's someday, but
for now, the individuals with
whom I've spoken and the tales
I've read (not all of them,
however) have convinced me that
each of us possess a soul within
our bodies. Someday my soul will
move on to the next realm. I
know this.
Now for the crazy man's story of
Carey's NDE: I had written this
chapter and felt a deficiency.
As a writer, I know my best
writing comes when I absolutely
relate to the feelings and
experiences of my characters.
The difference between writing
in this mode and writing out of
it is just indescribable. So, I
asked to experience an NDE...
but I didn't really want to risk
the life I so much loved. (I ask
crazy things like this sometimes
because I really do feel that my
life is "directed" by another
force, and that when I'm ready
for some life events to happen,
all I have to do is ask... and I
have to say, things happen more
often than not.) My kids weren't
grown, the book wasn't done...
so much yet to do. Well, I don't
recall how much later, but one
night I woke after going through
an NDE in a dream... unless I
really "died" in my sleep. But
let me tell you that to this
day, I recall the concern,
fright, the freedom of flight,
and the absolute weightlessness
of that journey. And the most
startling aspect of all, because
I don't remember reading about
it or ever being told of it, was
the whooshing noise... the
feeling of the cosmic roller
coaster... the speed of the
flight. If dying is anything
like that dream, while I was
frightened initially, I do not
fear death.
I rewrote the original passage
to what you see here, although I
did not experience a light. What
I experienced was my arrival at
a large, bright staircase, of
white tile or marble, with no
rails. The floor was of the same
material. I was to meet someone
there, but I didn't know whom.
Somehow I was informed -- gained
knowledge of the fact -- that I
was to meet my savior, my soul's
guardian there... and she did
appear, but I don't recall
really seeing her as I know of
her today, but Susan’s soul --
her presence -- was there as my
caretaker. After that, I woke up
in a sweat -- true story, and
you need to know that I would be
skeptical if someone told me
this tale.
When I was a kid, I used to get
Twain's and Einstein's images
mixed up. I think I have them
straight now... I've been
working on it.
Chapter 11 -- Spirit of the
Tama
Kilosoquah, the blind spirit
woman, is Susan's idea. (Before
I worked to develop my writing
skills -- some of you may seem
surprised that I've actually
done any work on my writing
skills -- I was void of intrigue
with my core plots, characters,
and themes.) When Susan
suggested Kilosoquah's sensing
of Carey's arrival, I realized
the wrong person wanted to be a
writer. (Don't we always want
most what we can't have?) She
would be so much better at
writing than I, but the desire
does not possess her yet. When
it does, I'll be the first to
buy her book.
Kilosoquah was the name of Chief
Little Turtle's granddaughter --
"Sun Woman." The character's
spiritual connection to
everything around her, her
motherly love, wisdom, courage,
and determination are of my
mother, Betty June Stewart-Wesseler,
and my mother-in-law, Jacquelyn
Rose Miller-Singer. The actual
model for Kilosoquah’s physical
appearance came from a picture
of a wonderful grandmotherly
lady on an advertisement for the
state of Arizona. I'll find her
someday.
A word about my mother: The
greatest sacrifice a person can
make for another is that of
giving her life -- something I
know my mother would do without
hesitation for each of her
children. She provided me with
the soul that wrote this story.
Her soulful views of life and
the world made me the man I am
today.
At twenty years of age, five
feet two inches tall and
probably no more than one
hundred twenty pounds before she
was pregnant, this lady was told
her eight pound plus ounces of
baby would be born breech. The
physicians wanted her sedated;
she knew she had to be fully
conscious in case of
complications. She refused the
medications and chose to suffer
the pain to ensure my safe
delivery. From the moment I
arrived to this very day, she
gives her entire soul and love
to her children... her family.
Thanks, Mom.
Majenica is the fictional name
of the Adena tribe. I may have
seen the name somewhere prior to
selecting it, but I can't recall
ever doing so. However, I was
shocked to travel through the
town of Majenica on one of our
trips back home through rural
Indiana. It seems too surreal to
believe this name came to me
without some prior sighting...
I'll never know for sure which
came first, although I believe I
chose the name before coming
across the town. To me it sounds
like a cross between magic and
Inca. I love the name.
Maconaquah, Little Bear Woman...
the name of the real life
Frances Slocum, who was captured
by the Indians, is a
representation of Susan.
Everything wonderfully beautiful
and personally inspiring about
her I've tried to capture in
Maconaquah.
Von -- I've always been
fascinated by the Nordic
influence and just how soon they
appeared on the scene... Just
how far did they travel into the
interior of North America before
the time of Columbus?
Mishawaka -- I chose this name
because it's the name of a town
in northern Indiana. It means
"country of dead trees" and was
the name of a Shawnee princess.
The Tama represents one of the
most exciting features of the
book and of my childhood
fantasies. I believe one reason
the cave tree intimidated me was
because, if there ever was to be
a portal to other worlds, the
cave tree, the Tama was it. To
go inside that tree meant the
risk of never returning to this
world, or so I thought as a kid.
My daughter, Jacquelyn, and I
visited the old tree in 2004.
Ten years had passed since I
last saw it. Although killed by
lightning, the tree’s huge trunk
and massive roots are still
present. I will reconstruct the
tree someday for all-time's
sake. It has to be. I can't keep
all of those time travelers
stuck out there... somewhere.
Someday, I would like for you to
bring your kids and
grandchildren to experience its
awesome presence.
I was introduced to Three Snakes
on a journey I made into Mexico
with a co-worker, Joe Sanchez,
who was kind enough to take me
to Mexico to meet his
grandparents in January of 1999.
While we were there, a local
rancher took us into the hills
to see cliff paintings.
According to archaeologists who
attended earlier "tours," the
drawings were made by an artist
by the name of Three Snakes. He
left his signature at many of
the sites -- three snakes, about
three feet tall, drawn in
upright positions, standing on
their tails, side-by-side one
another. I changed the name of
our "bad guy" from Peshewa to
Three Snakes upon my return from
the trip. (I figured the kid had
to be bad, since he drew on so
many walls across northern
Mexico -- one of the first
American graffiti artists.)
Owasco means "Bear." He
represents the leadership,
strength, and compassion of my
father, Paul William Wesseler --
Chief of the Wesselers. Dad has
been strong when strength was
needed, but what I admire most
about Dad, besides his work
ethic and drive to support his
family, is his compassion. He is
a kind and sensitive mentor.
Chapter 12 -- A Goddess and a
Feathered Serpent God
Spiders... those darn spiders...
Quetzalcoatl and Cortes... the
fall of the Aztecs... Could
there be a greater meeting of
fantasy and reality to have
changed the course of the world?
For those of you not familiar
with this historical event, I
want to share the incredible
tale with you a bit here,
although Carey has done so in
the story. In my planned sequel
of this book (my third book as I
have another story to write
before I begin the sequel), you
will read a very extensive
account of the conquest of
Mexico.
In simple terms and as I
understand the tale, Montezuma
II, the ruler of the Aztecs,
believed the arrival of Hernando
Cortes, a conquistador, to be
the return of the light-skinned
god Quetzalcoatl.
Montezuma felt blessed by the
return of the Aztec god during
his reign, but he was also
intimidated by what
Quetzalcoatl's presence would
mean to his continued rule of
the Aztec empire. In hopes of
turning the god away, yet
showing respect and gratitude,
Montezuma sent gifts of gold,
silver, and jade to his god and
the advancing army --exactly
what the Spanish conquistador
was seeking.
The gates of the Aztec capitol
were opened to the invaders with
little resistance. After all,
they were believed to be gods.
Montezuma was captured and
killed by the Spaniards. Cortes
and his troops barely made it
out of the capitol alive, but
they did make it out and began
the final siege of the Aztec
Empire. Again, this is a very
simple description of that
incredible tale of fate; I look
forward to bringing it to life
for you.
Oh, but to travel back to the
time of the Majenica. The
silence I experienced in the
outback of Mexico -- no cars, no
planes... just silence when I
wanted it. Life was like this on
the farm during my childhood,
until I-70 was constructed about
a mile north of our old
two-story brick farmhouse. I
love the silence -- the kind
absent of manmade noise, the
kind where you hear that
high-pitched energy in your
brain, the kind where you hear
the leaves rustle, the water
move over and around the
rocks... silence that let's you
remove yourself from the scene,
as if you are God's guardian of
that spot on Earth.
Chapter 13 -- Troy
Kumush is a cross between my
uncles Verus Miller, Charlie
Miller (of two separate Miller
families), and Bob Stewart. He
is the fun I had with each of
them as a child and young man.
From playing basketball,
attending football games,
fishing, to the telling of
jokes, uncles are necessities
and blessings of life. Thank
you, guys.
Kumush as mentor is as my
greatest business and adult life
mentor, Tom Docherty -- a man of
trust, faith, determination... a
man of honor. Without the
organizational skills and
confidence instilled in me by
Tom, this book would not have
been written. A thank you to Tom
and his lovely wife, Jayne, who
serve as role models to Susan
and me.
Yana represents my daughters,
Jacquelyn and Anna. My soul will
be forever attached to theirs.
Jacquelyn's strength and
determination guided by Anna's
sharp wit and sense of humor
make Yana my dearest character.
When I first wrote her into the
book, she was to play a minor
part. But, I couldn't hold her
back. She took over the scene.
The pen couldn't keep up with my
mind and writing of Yana. And as
the years passed, Yana took on
more and more of a pivotal
role... kind of like the way my
daughters have consumed more and
more of my heart and soul...
They and Patrick are my life...
of the love I have for their
mother and of hers for me.
The Majenica village... If only
I could spend one hour in its
presence during their time. I
stand and sit on the hill to
this day reaching out into time
to Kilosoquah, Yana, Owasco,
Kumush... and I go home after,
believe it or not, a tear or two
because of the emotions I have
for the people behind the
characters.
Chapter 14 -- Circle of Faith
I am not a religious person: I
am very spiritual, if you call
love of family and the need to
coach or assist others
spiritualism. But when I stepped
onto the sacred circle and saw
its causeway lead to the eastern
horizon, I wondered, at the age
of ten, if the Adena and
Hopewell could have recorded the
most fascinating astronomical
phenomenon to grace the world --
the Star of Bethlehem... the
sign of the birth of Christ.
I felt hypocritical, at first,
to even suggest such a theory,
since I did not believe Christ
to be the Son of God. In fact,
until not so many years ago, I
was not convinced that there was
a God.
As I mentioned in the opening
message, I believe life events
happen to us for reasons. One of
those early life events that
prepared me for putting the
pieces together -- to possibly
understand the meaning of the
circles' design -- came to me
while I was swinging, after
dark, when I was maybe seven
years old. It was a clear night
with a full moon. As the night
progressed, a huge ring formed
around the moon -- a halo. I
remember asking Mom about it;
she said the ring had something
to do with the dust and moisture
in the air. The halo was so
gigantic. It was an awesome ring
that consumed the sky.
I don't think I've ever seen
another sky like it to this day.
However, a mile from my home
near Columbia City (my motel
room for the past seventeen
years until I return to my
sacred Whitewater Valley) is the
old, white, picturesque church
of Hope Lutheran. In the back
room of that church is a picture
of the pretty little chapel with
a full moon in the background.
The photographer caught the moon
with a halo that is somewhat
similar to what I saw that night
on the swing -- proof that such
happenings occur… a message to
me to "write the book." And so
writing the scene and imagining
the view, from the hilltop, of
the star filling the eastern
horizon absolutely intrigued me.
The concept of Christ as the Son
of God has been hard for me to
accept; I am truly ashamed to
admit this. And there are times
when I feel I should back down
from spreading the word of the
sacred circles and the
possibility. But then I think,
which is the worse error:
sharing the possibility and
being wrong, or taking the
message to my grave and never
letting anyone know... never
giving the possibility to the
world, and never giving the
possibility a chance to become a
reality for mankind?
The choice to believe is yours,
just as the choice of faith
belongs to you. I am sharing the
facts -- the existence of the
circles, the dates from the
radiocarbon testing, the
archaeological evidence of the
Adena and Hopewell. As I have
found every reason in the past
to personally deny the
possibility, what more must I
have laid before me to be
absolutely sure? What more but a
conversation with God or Christ
could convince me? Well if it's
all true, I just may have that
chance someday. If there isn't
any truth to it, while I'm alive
my soul can take comfort in the
hope of the possibility --
faith.
When I stand on that circle, I
try to imagine the holiness of
living at the time of His birth.
The Indians would not have
realized the significance, but I
would have known if I had gone
back in time. Wouldn't it be an
awesome feeling to know that
Christ walked the earth at the
very same time? Now just how
incredible would that be? Almost
enough inspiration to cause you
to write a book?
I presented my theory to Don
Cochran and Beth McCord, of Ball
State University in Muncie,
Indiana, on August 13, 2002. I
am grateful to them for not
laughing me out of their
offices. In fact, we had a one
and one-half hour discussion --
one of the most exciting moments
of my life... to finally share
the possibility and lay out my
plans for the reconstruction of
the sites with professionals of
the field. They were kind and
courteous hosts. I look forward
to working with them in the
years ahead.
I enjoy telling about my first
phone contact with Beth. When I
told her I wanted time to talk
with her about a theory relative
to the construction of the
mounds, she asked, "This doesn't
involve extraterrestrials, does
it?" Well, I responded with a
no, but I laughed after the call
thinking, no, this just involves
the daddy of the
extraterrestrials.
She was kind: She did not laugh
at me during the visit...
although I bet there was a bit
more smiling at the afternoon
break than usual.
And I want to be clear that
neither Don, Beth, nor Ball
State endorse my theory. Don
states the possibility exists
(it can't be disproved yet) and
that I must be prepared for the
challenge from accomplished
archaeologists... but to take my
proposal forward.
Thanks, Don and Beth. Imagine
where mankind would be if
science did not embrace new
ideas... Why, the world would
still be flat!
Sister Katheryn -- I don't know
if this is the correct spelling
of her name, but I feel it is
right. (Actually, I've spelled
it the same as my youngest
daughter's middle name.) Anyway,
I developed a crush for a nun
with a shiny nose and sparkling
eyes when I was ten years-old.
She was very young, not like the
older sisters with whom I was
most familiar. She smiled a lot
and treated me with the
attention and concern of an
older biological sister.
Notawkah means, "He hears." I
thought the name and meaning to
be perfect for our miracle child
-- our first Christmas miracle
in the New World.
I really enjoyed writing the
Carey-Megan reunion scene. It
makes me cry at times to this
day, but my daughters say I cry
about everything. (Just wait for
their wedding days. How
embarrassed will they be then of
their father?)
Chapter 15 -- Within the
Walls of Glass Jars
I loved writing the Umpchee
threat; I can't wait to see it
in the movie version... I can
only hope. Right? I can just see
Kumush looking at Carey in
bewilderment, when Carey passes
out, and then at Yana.
Umpchees, as much as I probably
shouldn't admit it, came from my
vision of a few "challenged"
umpires I've met and of melted
cheese. I will not elaborate on
my thoughts any further...
Strange thoughts... yes, but
real.
I like to stand on the hill and
imagine the valley filled with
makeshift villages -- campfires
dancing, people laughing, babies
crying.
I own a cream-colored clay bowl.
I enjoy its simple construction.
As for the Dayton Museum of
Natural History, I spent weeks
there over the summers, with Jay
Heilman, as excavations at Sun
Watch were underway. (I
understand the museum has
relocated, and it has a new
name.) I will reconstruct the
sacred circles and the Village
of the Majenica much like
they've done at Sun Watch -- a
reconstructed Fort Ancient
village, south of Dayton, Ohio,
that dates to 1100 A.D.
Wolves and coyotes really spook
me a little worse than spiders.
To hear the coyotes yip and yap
outside our home in rural
Indiana sends chills through my
body.
Vecho means, "clever trickster"
in the language of the Cheyenne.
Catching lightning bugs was so
much fun as a kid, especially
when we had visitors. Our
parents remained inside, but the
kids would run wildly around the
yard and fields, catching all
the bugs we could to place in
glass jars with holes punched in
the metal lids.
Chapter 16 – Of Memories
An old wooden barn, on the
family farm and as described by
Carey, served as one harbor out
of the rain for the birds when I
was a kid. Although the barn is
now gone, I remember it in
detail. There was a broken
window in the high peak on the
east end; one glass panel was
missing. Someday I hope to build
a replica of the old red barn --
massive beech beams held
together at the joints with
wooden pegs, a roof of wooden
shingles, and I'll leave one
glass panel out of the window on
the east end to let the birds in
and out of the rain.
Chapter 17 -- Of Broken Canes
The edited version of this story
scrapped the tale and message of
Mary Davis from her deathbed.
She saw her husband's image as
she was about to die. She
believed his spirit existed so
much that she instructed her
son, Tom Davis, to say hello to
his father... that it was rude
for Tom to ignore his father
sitting at the end of the bed.
She told Tom that the one you
loved most will come to get you
when it comes time for you to
die…
The deathbed message from Mary
Davis is as it was shared with
me by Tom -- my trusted friend.
The story is not a fabrication.
Tom stands at least six feet six
inches tall and is as broad
across the shoulders as a barn
is wide. Tears come to his eyes
when he mentions his mother; he
looks forward to seeing her
again someday. His faith is
strong.
Tom Davis is one of the most
generous men I have had the
honor of knowing. He scored over
fifty points in a single high
school basketball game, to give
you an idea as to his
determination and desire. If
moving to Whitley County has had
a bright side to it, meeting and
getting to know Tom Davis, his
family, and neighbors (the
members of Citizens Organized
Watch, Inc... COW) top the list.
To a great friend and life
warrior, I extend my gratitude
to Mr. Tom Davis.
The view of the Whitewater River
from the bluff west of the
cemetery is my favorite along
the river.
Someday I hope to see a blue
ball of light at the river's
edge, which is where such an
encounter must take place, “you
know.” Which loved one will it
be? I don't care because I'll be
ecstatic to meet with any of
them. Or, maybe my soul will be
the one returning from another
realm.
"Well, what's it all for?" My
son, Patrick, has always been
one who thinks a great deal on
his own and forms his own
worldly views based on the life
truths his thinking generates.
As with his dad's sessions of
life-truth-thinking, more
questions were generated than
answered.
Patrick was thirteen when I
heard his mother say from the
living room, "Go ask your dad."
A crying Patrick entered the
dining room; life was hanging by
a thread.
"Well, what's it all for?" he
blurted.
I really didn't have to ask him
to explain himself; I knew the
thought of futility behind that
unanswered revelation… a
revelation that we go through
this life on Earth… and then we
die! That's all we get, all we
work toward, regardless of how
hard we work, how hard we try...
we end up dying! Why even try?
What is it all for?
My son had taken the first step
toward becoming a responsible
human being. He wanted to know
what he was to do in this life.
Of what importance or difference
was he to make as a
contribution? By realizing his
potential insignificance in this
world, he became significant as
a soul with a body.
What's it all for? Young
Oldenkamp is given the message
by Senior Oldenkamp in this
chapter. And when you are
doubtful, go to the circles and
be reminded of the greatest act
of giving during a life devoted
to others… so that other souls
may benefit from the actions of
One.
Life is what you make of the one
you are given.
It was late at night when the
Einstein and Twain quip came to
me: "Oh, Ein' says it's all
relative, and Twain says he's
glad I'm not one of his." Anna,
my youngest daughter, says it
was later into the night than I
remember and that I should have
quit writing earlier in the
evening.
Chapter 18 -- Where The Birds
Go When It Rains
My mother and father are
storytellers in their own ways:
Mom speaks of animals and their
souls as human, and she will
assure you those souls are as
destined for Heaven as any
other. When our animals died, or
when our grandparents passed
away, we knew we were left with
the bodies; the souls escaped
and were off to where they were
most needed. Grave goods -- the
dog and cat beddings sprinkled
with their favorite toys --
accompanied the animals to their
resting places.
Dad keeps souls alive by telling
of their life stories and
through his Catholic faith. The
tales always contain laughs or
something of soulful
significance -- of fable
worthiness… (Volk and “How The
Bear Lost His Tail”) And as I've
been told, my grandfather, Bill
Wesseler, was quite the
storyteller as well.
So the concept of Kumush's soul
going on to perform his all
important mission, where the
birds go when it rains, is as
all of us will experience -- a
trip to the next realm to do as
we are destined to do, or maybe
this is the world in which our
work is to be performed.
I was introduced to the title of
this book while having lunch
with a friend at the Coney
Island in Fort Wayne, Indiana.
Steve Ringenberg mentioned that
his daughter and her friends
perceived him to be a bit
unusual… sitting in the
basement, doing as he does,
listening to his strange music…
thinking him to be as
uninvestigated and mysterious as
the thought of where the birds
go when it rains -- things not
to be truly known by man.
A title was born -- fate
intervened in the confines of a
hot dog restaurant.
Chapter 19 - In The River Of
Time
The Whitewater River is my River
of Time. Its valley brought me a
history lesson experienced by so
few. From the Ice Age until the
day I die, I've lived the
times... maybe even the marking
of the day Jesus was born. The
opening setting of this chapter
is clear in my mind. The river
bank is high and steep halfway
between the cement bridge and
the bend at the fateful
raspberry patch. The current is
steady there... a constant
current... always pulling at the
bottom elements.
Cremation and the sending of the
body into the heavens just made
spiritual symbolic sense to me
for this story. Who can say it
isn't the premise for cremations
performed by the ancients? Two
questions about the aspect of
cremation have been asked of me
by those reading early versions
of this story -- those copies I
had to get out to family and
friends to see what they thought
of the book: Why wasn't Carey
cremated, and who was the third
cremation found the summer of
1968, since it wasn't Carey in
the story?
Not everyone was cremated when
the Indians practiced this
ritual. Most bodies were buried.
I am told cremations date back
to the time of the Paleo... back
to maybe 12,000 B.C. But in my
part of the Whitewater River
Valley, as far as I can tell,
the practice of cremation
appeared around the time of the
birth of Christ.
Carey chose the conventional
mode of burial for a very good
reason: How difficult would it
be to find melted plastic
glasses in a heap of charred
bones?
The third cremation will be a
topic of my third book -- the
sequel of this tale. (My second
book will not be related to this
series.) The sequel will take a
bit of research for me to
present it in the authentic
detail that it deserves. I will
need to learn how to read and
speak Spanish... It'll be the
most exciting write that I will
ever have in this lifetime --
most exciting, not the most
soulful; this tale takes that
honor.
Book two is one I've wanted to
write for the past five years. I
want to get it in print before I
begin the wonderful journey of
preparing for and creating book
three. In the first chapter of
Where The Birds Go When It
Rains, I have made one short
reference to something that
relates to the content of the
sequel. It isn't much of a hint,
and in fact, it doesn't give
away any of the tale, but a
reference is made in one
sentence…
I feel as if I'm Heinrich
Schliemann standing on the walls
of Troy when I stand on the top
of the hill. Under my feet lie
secrets, two thousand years old,
that will someday come to
life... maybe a skeleton wearing
a pair of black plastic rimmed
glasses. Won't all of us be
surprised? Somehow, I almost
expect such a twist in my life.
The wolf cult... now those boys
actually scare me. I still have
the book with the artist’s
interpretation of what the
shamans looked like with the
wolf palettes hanging from their
upper mouths. I imagined the
priests working in and around
the crowd in their wolf
headdresses. As a kid, the
concept of wolf shamans really
bothered me.
Snails? Have I mentioned snails?
Imagine burning a pot of them.
Yes, my great-grandmother, just
as Carey's, incinerated a roast
while cooking in my
grandfather's trailer. The odor
was awful!
The snails fascinated me: I
found it incredible to hold two
thousand year-old snail shells
during the dig.
I don't remember the exact year
I discovered the location of the
Village of the Majenica -- the
Adena and Hopewell village --
but it was probably 1972. Mom
suggested that I take care of my
boredom by walking the freshly
plowed fields across the road
from our house. If I recall
correctly, it had not yet rained
on the plowed soil. Until the
fields are “disced” and it rains
on them, it is very difficult to
find artifacts, but I was so
anxious to walk the southern
edge of the site, that I risked
it anyway.
When I look back on it now,
after the completion of this
book, I can almost see Heaven's
record keeper of Earthly events
checking off the moment of
discovery and announcing to
Heaven's council that the step
had been taken and the plan was
in place... (although it would
be another thirty-two years
before the "final chapter" would
be recorded). On that fateful
trip, I discovered my
seventy-sixth artifact
(significant to me because,
unless I screwed up, I was to
graduate from high school in
1976). A few moments later, I
found a six inch long celt --
sign of an Adena or Hopewell
site. I ran the quarter mile
plus, in my boots, to my house
out of sheer excitement.
Later that year and the years
thereafter, I found a heavy
concentration of snail shells on
the furthermost southeastern
ridge of the hill. To me this
was the final proof of the
connection to the sacred
circles. I had found my Troy.
The scene where Carey and
Kilosoquah communicate by
thought during the cremations
represents the connection a
mother and son, or a
mother-in-law and son-in-law,
may have with one another. A
spiritual connection can
develop. Mom forms such
connections with her animals and
life. With Susan's mom, I left
some chips on the table when she
passed away. At our last
Christmas with her, the woman
who seldom spoke out, while in
the crowd, asked that we listen
to her. She proceeded to share
her words of how proud she was
of her family members and their
achievements. I didn't have the
courage to speak up that day… to
publicly tell her how much she
meant to me. That seemed a bit
corny to my immature soul. How
stupid was that? I never
completed my desire to tell her
publicly or privately how she
was an inspiration to me for
going through the heart surgery,
for her maternal leadership, and
for the values she set that
drove the family members to
their characteristic
hard-working, honest, faithful
reputations.
She knows now. I speak to her
often, and I think she's there
watching over me when I most
need her attention. As Tom Davis
assures me, she and I will meet
again.
Due to that life lesson, I take
every opportunity to share
soulful feelings these days; I
don't ever want to leave
something of value left unsaid.
The words need to be shared
without hesitation or
reservation, and often.
Carey's return to the village to
retrieve the gifts inspired a
lot of visuals for me. Every
October we hold a Halloween
party at the family farm (with
the exception of two years, I
believe) over about the past
twenty years. Usually, I camp
out with the hearty souls who
dare to brave the cold. When the
site is cleared of the bales of
straw, tents, relatives, and
friends, I go back to the woods
to sit by myself, to absorb the
silence, to remember that year's
party, to think about the times
at parties of the past. I
anticipate taking moments to
reflect on the past when I'm an
old man, as well. I think it's
that looking forward-looking
backward perspective that gives
me such bittersweet pleasure
when I'm alone just thinking. I
appreciate the times and the
people of the present when I
think of what life will or could
be like without them.
Did Carey experience the
birthplace of a new era of
humanity and spiritualism? Will
we rediscover it on the dig of
the future? And as much as I
look to that future, I think
often of what thoughts and
memories may come to me when I
sit on or walk across the
village when I'm an old man...
when my future here on Earth and
the future discoveries of the
site are over. The Old Man of
the Sea; The Old Man of the
Hill.
The presence of a sycamore
always inspires me. The light
colored bark and twisted
branches are in awesome contrast
to the dark grooved barks of the
oak, maple, walnut, and ash of
the woods.
Connecting Yana to Carey through
Megan's soul was not the
original plan for Yana. In fact,
Megan was not even a part of the
first version of the book.
Yana's connection to Carey and
Megan's purpose and death were
inspired by the real life loss
of Rebekah Niedermeyer, a family
friend, and her thirteen
year-old daughter, Christy. They
died together in an auto
accident on November 16, 1999.
That event changed the direction
and the purpose of Yana's
character. (My soul needs her
presence in the book and my
life.)
Mother and daughter were headed
for Christy's basketball
practice in a rush when Becky
failed -- as a busy, hurried
mother -- to stop at the bottom
of a hill and drove into the
path of a semi.
I coached Christy in softball. I
worked on her pitching abilities
and, most important, her
confidence. She was afraid to
pitch... but enjoyed the thought
of the possibility. I saw the
desire in her and wanted her to
pursue her greatness.
I was on a business trip when
our team was scheduled for a
game. Christy was asked to
pitch. She said something along
the line of: "Jamie's not here.
I can't pitch without him." Oh,
how I filled with pride when I
heard those words repeated to me
over the phone. She went on to
pitch a fine game.
And taking her lead, knowing
that a soul as wonderful as
Christy's has gone before me, I
don't fear death as I once
did... maybe just the pain
before I get there... which I'm
glad to know she and her mother
did not experience.
Christy and Becky... "Always."
The pendant is described as the
likeness of the one I found on
my son's birthday, June 17,
1989. The stone and etching are
as unique as I've described them
in the book. You'll be able to
see it, someday, in the museum
that we'll build in the gravel
pit. When I found the artifact,
the story of my then unnamed
time traveler took on the twist
of an Indian girlfriend. The
time traveler was to someday
find the pendant he had made for
her in the fields as he hunted
for artifacts. Well, that was
too much agony for my soul: I
could not let our adventurer and
his lover be separated by
time... never meeting again. I
couldn't do that; it wasn't
meant to be. Lovers are not
meant to be separated forever.
What thrills me to this day is
holding the pendant and
wondering for whom it was made,
who made it, and why?
Chapter 20 -- Faith
"To have faith, absolute faith,
you must surrender your ego."
While many passages are of
messages from this writer to his
readers, this one came from my
guardian angel, my
mother-in-law, Becky, Christy...
all of those souls who watch
over me... as their message to
me.
I wrote many versions of this
book over the years. With each,
I denied myself the message of
the sacred circles. And then,
one day, these words shot from
my pen. To believe, I must
abandon my ego; I must not worry
about being fooled because that
would make me even more of a
fool.
Yes, I do believe the sacred
circles are signs for all of
eternity of that miracle... a
statement I would not have been
so confident of six months
before writing these very words.
I cannot deny the evidence that
I presented to you in the first
part of this section.
While I've added tidbits to
Maconaquah's letter, I wrote the
scene and letter in one
sitting... and I bawled.
Everything I had written to that
point, every emotion manifested
in the letter. I felt every
emotion, every word, every
soulful lead -- everything. The
write was awesome.
And how I love the thought, the
vision of Yana, Kilosoquah,
Maconaquah, and Owasco dancing
in the rain... "our chief
playing in the rain."
Susan and I first took notice of
each other while leaving a
Lincoln High School home
football game. She looked so
incredibly beautiful that night
with her auburn hair down across
her shoulders, a smile that made
her cheekbones turn full and
soft, eyes that sparkled in the
bright field lights, sensuous
lips (and I had no idea at the
age of sixteen what that look
really meant or inspired, but I
liked the feeling) -- everything
about her was too much for me
not to take notice. I have her
four 4-H pictures; she was a
prom queen years later. My knees
grow weak and I get that heavy
stomach feeling when I look at
those pictures to this day --
one on the night stand next to
our bed, two on my work desk,
and one in a frame overlooking
the writer’s desk -- writing
inspiration.
I bought Susan a decorated prism
lamp for her sixteenth birthday.
It's on the nightstand, too...
behind my favorite of the four
pictures.
The dreaded Helga and the
compassionate Marilyn are of the
quirkiness of my father. When I
lived at home, he would tease
about someone, or one of my
mother's animals, only for me to
find out that the person meant
so much to him in some way... or
find him petting the cat when he
thought no one was watching, and
then having him turn to me and
say teasingly, "Don't tell your
mom." Sorry, Dad.
Chapter 21 -- Always
"Jerry, Jerry with a 'J"'...
another one of my favorite
twists…
I owe a word of gratitude to,
literary agent and author,
Donald Maass for the full
development in the storyline of
“Jerry with a ‘J’.” His book,
Writing The Breakout Novel, is a
must for anyone crafting a story
of fiction. Originally, Gerald
was just a hated man. Then I
read Mr. Maass', passage:
“Practice forgiveness in your
fiction (and in your life!). It
is a powerful source of
character strength.” From his
words came Carey’s soulful
cleansing. Once I made this
change to the tale, I felt as if
I had received the cleansing.
Thank you, Donald Maass, and
thanks for the unquantifiable
writers’ advice.
As I get older, I find that I
try to understand my opponents
more than I ever thought I would
be capable of doing. However, I
find forgiveness to be very
difficult, if not impossible,
still to this day. The story of
Gerald, Jerry with a "J,"
represents those missed life
opportunities we fail to
soulfully seize -- opportunities
for personal, soulful growth --
times when we could have
extended an open hand to someone
in need.
The break between the wakes:
I was exhausted at Becky and
Christy Niedermeyer's wakes –
mother's and daughter's caskets
together, the community
outpouring, the emotions. To
"get away from it all," I sat
between two flower collections,
as Carey, during the break
between the wakes. It was quiet;
I had time to relax... to absorb
the life event and message; I
had time to cry, again; I had
time to ask God why... one
hundred more times. And then, in
the doorway appeared a young man
of Christy's age. He wouldn't
come in right away; he stood
there, in the doorway, glanced
at Becky, stared at Christy,
glanced at Becky and stared even
longer at Christy. He was alone
except for the red rose he held
in his hands. He stepped out
into the room, not looking
anywhere but at Christy. He
stopped and stared at her. A
young man, his lost love... all
so unbelievable to him. He
didn't know or care that I was
there; I felt like an intruder
being present in what was to be
their moment and theirs alone.
Slowly he walked the last few
steps to her side, stopped to
look at her, placed the rose in
her casket, stepped back a few
steps for one last look, and
bolted for the door. I cried. It
was the most soulful, touching,
heart-wrenching experience I
have ever witnessed. I'm sure it
was her reported boyfriend. And
even after writing this book, I
do still ask: Why God? Why did
you rob some young man of a
life's love? I don't really
understand; I don't really
accept it. But I also don't know
what Christy's next mission
entails. I'm sure God needed her
and her mother for something
incredible.
I wish I would have gotten the
name of the young man. Maybe
someday I will; maybe I won't;
maybe it should remain as it was
-- an innocent, silent moment of
love and respect between the two
of them. I will always remember
his actions... Always.
The black plastic glasses -- I
hated wearing those things.
The sense of needing yet another
moment with the deceased... who
among us has not felt such a
need for one more moment to say
good-bye and to tell someone you
love them? The message delivered
to Patrick, in this chapter, is
as the one I want to leave to my
loved ones when I pass away. I
will always know how much we
mean to each other; love is the
foundation on which our lives
are built. I will ALWAYS know
this. And, in case I didn't tell
you recently... I will always
love you, even if it wasn't
something I told you when we
last spoke... "The soul takes
with it only the good."
Susan asked about the issue of
Carey’s body being left behind:
“Shouldn’t it have disappeared
and gone with him?” Carey enters
the time of the Majenica with
the form he had when he last
appeared there -- as a sixteen
year-old. As with each of us
when we die, the body we have
here is shed by the soul so that
we may take on our new form.
Polly Minear, the artist for
this book, after reading a
draft, mentioned the
significance of the red rose as
possibly the intended action of
Jerry's request. Originally, I
was going to have Carey deliver
a red rose, so Little Rose could
experience the real flower. I
liked the Jerry connection and
added it as the last "theme" of
the book.
Chapter 22 -- For All of Time
I first ended the story without
closure to Patrick's and Ellen's
presence. My oldest daughter,
Jacquelyn, brought me to my
writer's senses... if I have
such things. Thanks, Jacquelyn,
and thanks to all of the
incredibly awesome people and
souls who have made my life so
wonderfully fulfilling.
And thanks to my wife, Susan,
who has waited patiently for the
completion of this book. She has
given me the greatest gifts a
woman could ever give a man --
her love and children. Thank
you, Susan. It is my love for
you that provided the passion
behind the writing of this
story.
Someday you will be able to see
the pendant, the mounds, and the
village. Whether you keep your
faith in a box, in your heart,
or in the love of another, your
life is not without purpose.
Cherish your life and, more
important, the lives of others.
Don't waste a moment of the time
you've been given. And when you
are really in doubt as to the
existence of Christ or God, join
me at the sacred circles; they
just may be our Holy Grail; they
are mine with the completion of
this tale.
The Village of the Majenica and
the sacred circles will be
excavated and reconstructed. I
hope to begin this process no
later than 2010. I'm not sure
when the sites will be ready for
public visitation... I mean you
may drive to the locations this
very day, but the state park
isn't even a park at this
moment: You’ll find cows grazing
on the village site. Someday, I
hope we'll actually be able to
give tours and let groups of
children spend nights camping
out in the reconstructed homes
of the Majenica or in the
crematoriums of the sacred
circles. I want to be there
often and to participate in the
excavations. Maybe we'll have
the pleasure of meeting there,
or Where The Birds Go When It
Rains.
Thank you for making the journey
of the novel with me.
- Jamie Paul
Wesseler